
Tuesday, May 25, 2010
Book Review: Uncovering The Treasure On The Classical Tai Chi Path

Monday, May 24, 2010
Another letter to my teacher

- Peng is often thought of as the application ""ward off" in push hands, etc., it is not "ward off", Peng is merely an intrinsic quality of the application "ward off". People engage in this much the way people say "tingling fingers" are Qi. "Tingling fingers" are not Qi, they are evidence of Qi, much the same way a "red", lit, light bulb is not electricity.
- Peng is referred to in the Tai Chi Classics as a "spring like" energy, this quality of "spring like" is present in all the other "methods", Lu, Ji, etc. This "spring like" quality sounds remarkably like internal energy which is generated through internal discipline in movement. It is a necessary but not sufficient quality to performing any of the other methods correctly. Hence, one cannot say they uprooted an opponent using "Cai" or "Tsai" (pick, pull, pluck) if the quality of Peng was not present as well.
- Peng as any application is not a valid quality in for example "ward off" if external force, eg. pushing with legs, extraneous movement at shoulder, disconnect at shoulder, tension in arms, etc.
- Peng has an intrinsic "rising" quality that is only generated correctly from using internal discipline. The "rising" is referred to in Tai Chi Classics as analagous to "water supporting a boat", etc. I think you referred to this before as Intrinsic "upward quality" that things like "quarter body movement" can induce. Example being, I do one inch punch and I feel that my arm, palm, fist, kind of spontaneously goes upward.
- Peng as quality of say "ward off" is also rather expansive. It seems to originate at my core and seems to "fill" me up like a tire. When I ward off an opponent (hold them away from me) Peng is in direct line with them, when I move forward, Peng rises at where I touch them, it goes up. I use less force than he does but once he is off balance, I can add more. So Peng has these Yin and Yang qualities however dependent on the quality of one's internal energy.
- Peng with such Yin and Yang in consideration can keep an opponent from getting to my core and as such is basis for any abilities I have with "Ting Jin". If my arm is too tense for example, I cannot have quality of Peng, since I cannot "ting jin" the opponent. I simply am too tense, therefore cannot "sense" what opponent is doing. Conversely, Peng can with Yang in consideration be essential quality of "one inch punch" and as such have that "rising" quality even in the burst of power.
Wednesday, May 5, 2010
Benefits of Tai Chi, imagined or otherwise
Thursday, February 11, 2010
Posture 13.)Carry (Golden) Tiger to Mountain
It is 2010 and the Chinese Zodiac describes it as the Year of the Golden Tiger. This February 14, 2010 begins it Sunday morning at 12 midnight and it will end on February 2, 2011. This is the first day of the Lunar New Year, the New Moon. By the way Happy Valentine’s Day, for they are one and the same. It is said that inviting the Golden Tiger into your home, one can capture his Qi for the coming year. Have a happy, prosperous and healthy New Year.
The video we bring today is of Posture 13.) Carry Tiger to Mountain.
Important points to remember:
• The waist initiates the drop movement of the arms
• Turning on the weighted foot requires a solid structure on the turning side of the body.
• Any flexion weakens the move and may cause discomfort in the knee joint.
• Make certain to lift the toe to allow smooth pivoting on the heel.
• If carried out correctly, one will sense the power in this movement.
Monday, February 1, 2010
Using too much force are we?
Push hands is not "Trench Warfare", here's a couple of experiments to show the dangers inherent in using too much force, too much resistance, too much rigidity, etc. I think overall however what is implicit in the experiments is that trying push hands before internal discipline becomes 2nd nature will frequently result in trench warfare.A student of mine recently told me that he attempted an "experiment" using the Ward Off movement that I have shown him. He stated he had a much larger person push against his arm but also states that he was pushed back. I should state that I have shown Ward Off to my students while they pushed on my outstretched arm. Each time I demonstrate, I reiterate that my arm is not rigid and that I am using a minimum force necessary to ward off their push. Often, students will push "off center" on my arm and I still continue to ward them off but point out that I am redirecting their push. In other words, I am being discriminating in the amount of force that I use. I think the use of an image to explain this might be of help here.
Take an air filled ball and float it in some water, now try to sink the ball by pressing down on it from the top. The ball does not push back with a rigid force, yet it supports your press. If you press off center on the ball however, it rotates and your arm goes lurching forward and to the side. This is what I mean by "off center" push and redirecting the opponents force.
By saying that my arm is not "rigid", I mean that it is not stiffened up to any degree. The student cannot remember whether he stiffened up his arm but my guess is that is what happened. Pushing slightly on his outstretched arm I see this happening myself. I would recommend to any student to try an experiment that Master Hwa has recommended in Forum 11, previously: "Try to press the back of your hand against a door frame, just like you are blocking an opponent's arm. Do you find that one side of your forearm muscle is energized while the other side muscle is relaxed?"
People report:
- Tightened forearm and back arm
- Tightened whole arm
- Resistance from door jam which seems to push them back
Please take the time to click this link I call "Door Jam" experiment , read the results and it is the very first article . I think it gives good insight into why the student got "pushed around".
Friday, October 30, 2009
Classical Taiji Video Instructions for: 8. White Crane Spreads Wings 白鶴亮翅, 9. Brush Knee Push Step Left & Right 4 Times 摟膝拗步左右四度
At the bottom of this Blog is a video with subtitles on how to perform ROUND FORM 8. White Crane Spreads Wings 白鶴亮翅, 9. Brush Knee Push Step Left & Right 4 Times 摟膝拗步左右四度. There are numerous clips here and all are performed in slow motion with overlay written instructions. One should pick an arbitrary direction such as North and start there, with the turning done to the primary and secondary directions such as North West, East, etc.
The following are really written instructions for the Square Form but should give practitioners much in the way of insight to the nuance of the movements.
8. White Crane Spreads Wings 白鶴亮翅
9. Brush Knee Push Step Left & Right 4 Times 摟膝拗步左右四度
Posture 9 – Brush Knee Push Step
White Crane and Brush Knee, Push
Monday, October 12, 2009
A little History of Classical Tai Chi Blog 6
Young Wabu and Wu Jianquan Hong Kong
Square Form and Round Form, are the primary course of study in Classical Tai Chi (See picture above) Grandmaster Yang Wabiu (Young Wabu) is spoken about in the as being "Dr. Young" and Wu Jian Quan is referred to as Mr. Wu. It speaks of how Wu Jianquan developed the "small frame (small step)" from the "large frame (large step)"...and more.
Dr. Stephen Hwa who is my teacher is featured in the Square and Round Form link in the above paragraph. He also studied with Young Wabu (Dr. Young made his living as an Osteopath in Hong Kong before moving to Rochester, NY and Dr. Hwa studied over 30 years with him. Visiting Young Wabu's house for a memorial service a few years ago, I had quite a discussion with both Dr. Hwa and Young Wabu's daughter Sonia about this history)
A little different perspective on Classical Tai Chi Thursday, October 1, 2009
Blog 5 Video of Basic Walking for New Students...it's not "Like" anything you've done before

THREE BLIND MEN AND AN ELEPHANT
Can any of them formulate a good "concept" much less a "true" one of what the elephant is? There is a saying in Chinese (pinyin) which is zhǐ lù weí mǎ…”pointing at a deer and calling it a horse”…literally twisting the truth. This is only remedied by wǒ zuò wǒ liǎo jiě…I do and (only then can I say) I understand. The basic walking we are going to show below is not "like" anything you have done before and neither is the vast majority of the Internal Discipline we show in this Blog... We'll also attempt to explain here why students should not fret over "concepts".
"The study of Classical Tai Chi in the beginning through advanced stages is as logical and rigorous as the study of any scientific discipline"...Master Stephen Hwa, Ph.D. What beginning students run up against however is the desire to conceptualize something that is based almost entirely on an individual's personal experience. 3 blind men will surely each have a different "concept" of an elephant when touching it for the 1st time, how should the zoo keeper provide a "concept" of the elephant for them by mere explanation? Won't their "concept" be considerably different in 1,3,5 years if they faithfully come back each day and touch more of the elephant each time?
The other problem is that a lack of a concept sometimes seems to spur students to try harder to intellectualize what is experiential. For instance, one hears pronouncements or affirmations about what "Qi" is from beginning students. Or one hears "conceptualizations" from beginning students about the Internal Discipline. "Oh, that is like belly dancing", "Oh, that is like an exercise I used to teach in Karate", "Oh, that is like the 24 Forms of Wu Style Tai Chi, etc. Or regarding the subject of "Qi": "Oh, I know what that is, it is like energy, it is air, it is like...", or "I teach Karate and since I have experience with that it stands to reason that I can not only teach Tai Chi but I can articulate what "Qi" is..." Let me get this straight, science cannot thoroughly articulate what "Qi" is but you can? The question I have to remarks like that is, "Why is it such a persistent issue that everyone assumes they can explain "Qi" or teach how to cultivate it, when they have not gone through the "beginning through advanced" stages we mentioned previously? Science has no answers at the level of understanding we talk about...how would someone who has not studied Classical Tai Chi or Qigong in depth have an answer. It is only when one reaches the advanced stage and contemplates such problems as by example "conceptualizing what Qi is" where one truly sees Science has no answers... it should be a humbling experience. How then is there any "conceptualization" to be had for the beginning practitioner?
What the blind men actually said:
“This queer animal is like our straw fans swinging back and forth to give us a breeze. However, it’s not so big or well made. The main portion is rather wispy.”
“No, no!” the first blind man shouted in disagreement. “This queer animal resembles two big trees without any branches.”
“You’re both wrong.” the third man replied. “This queer animal is similar to a snake; it’s long and round, and very strong.”
How they argued! Each one insisted that he alone was correct. Of course, there was no conclusion for not one had thoroughly examined the whole elephant. How can anyone describe the whole until he has learned the total of the parts.
(Kuo, Louise and Kuo, Yuan-Hsi, Chinese Folk Tales, 1976, Celestial Arts: Millbrae, CA, pp. 83-85.)
Monday, September 28, 2009
Open/Close (Folding Like a Door) Exercise for New Students Blog 4
The 纏絲工()[silk reeling work]demonstrated here is based on the same principle of movement in Classical Tai Chi we described in the recent "Hand follows foot..." Blog. The principle being one which folds the body at the spine. In this instruction however, the feet/legs are not moving. Unlike "Hand follows foot..." however, one side of the body is truly kept as still as possible while the other side is moved. An often used simile is that of "folding the body like a book". Master Stephen Hwa here uses the phrase "folding like a door"
The exercise demonstrated here is a "pure" silk reeling, since the movement can and should be continuous with no interruptions or breaks.
In particular you should look for a sensation of "folding" at the lower back. Gradually, one notices this sensation moving from more near the upper back to the lower as they become more proficient with the exercises.
As you see Master Hwa do here, you can use the free hand to "feel" exactly where the sensations of "folding" are taking place.
Saturday, September 5, 2009
Wuji (無極) Positions and Zhan Zhuang (站桩)

Adirondack morning... Meacham Lake Wilderness (Sept. 09)
To those that do not know, Wuji (無極) Positions and Zhan Zhuang (站桩) are present in every posture of the "Square Form". At the heart of this is an awareness of whether one is doing any Tai Chi posture correctly.
It is said in Classical Tai Chi that one does not learn to go fast by going fast and one might also say that one does not learn to go slow by going slow. How then does one get "faster", how then does one get "slower"? What is not understood by most students is that the ability of the practitioner to generate (internal energy) and control (internal discipline)the Qi is the major factor. Such Qi is developed over a lifetime of practice, not weeks, months or even a few years.
Students can however take measures so that the movements are being done correctly and it is in this correctness that one can insure the development of the Qi. The square form obviously is not learned by everyone, but all students learn the basic walking which is really Square Form.
Take the time to pause and simply stand still (Zhan Zhuang (站桩)while doing the basic walking practice. When the body is perpendicular to the floor and one is "sitting back" (see figure 3 & 4 of Forum 10)you can pause. Check your posture in this position, there is plenty of time especially if you incorporate this more and more into the practice. You are not trying to set a record for how long you stand, try holding for 10 seconds then move.
Take the time to pause and simply stand still (Zhan Zhuang (站桩)when the body is tilted forward over the front foot as well. Check your posture in this position as well for 10 seconds then move. It is in those 2 essential components of the basic walking that such pauses and self correction that one begins to plumb the depths of the practice...improvement comes from such contemplation.
Friday, July 31, 2009
Yang or Wu Style, what's in a name?
People in Tai Chi say: "We stand perpendicular to the ground because that is what you do in Yang Style" and "We don't stand perpendicular to the ground because it is Wu Style." On the humor side, I met a Judo teacher who criticized the Wu Style "tilt," and her rationale was, "Because we have hips." I have not heard a functional justification for standing perpendicular to the ground in postures.
By functional, we mean a coherent and comprehensive rationale directly related to why one should stand perpendicular to the ground. Frequently, we hear: "Yang Style always stands this way," "My teacher said so, "It is for centering," "It aligns the acupuncture points with the ground," etc., and it leaves us wondering.
I wrote the article then this article referred to Cook Ding's Kitchen:
September 2009.
https://cookdingskitchen.blogspot.com/2009/09/ As Wustyle.com in Hong Kong reports: "In 1916 Grand Master Wu Chien Chuan, along with other famous Wushu experts of the time Yang Shao Hou, Yang Cheng Fu, Hsu Sheng Chi Tzu Hsiu, Sun Lu T'ang, Liu En Shou, Liu Tsai Chen, Chang Chung Yuan, Tong Lian Chi, Chiang Teng Tsui, Hsing Shih Ju and others established the Beijing Institute of Physical Education."
- 1953: Founding Established as the Central Institute of Physical Education (中央体育学院) to train sports professionals.
- 1956: Renamed Became the Beijing Institute of Physical Education.
The most famous teachers from "Yang Style," "Wu Style," etc., taught under the same roof. If I had to venture into an opinion, the teachers would not say, "I'm teaching Yang Style, and because of that, the correct way to stand is perpendicular to the ground. My other opinion would be that it was not the teachers but the students who came up with the names, such as "I'm studying something from Yang" and "I'm studying something from Wu." I would also venture into another opinion and say those gentlemen did not develop their art in a vacuum. They also trained with each other, compared arts, pushed hands with one another, etc. That itself has profound implications. Reference to this can be found at
Cook Ding's Kitchen: September 2009 (cookdingskitchen.blogspot.com)
Finally, I quote Master Hwa in answering a student's question:
Q. Why do you emphasize "classical" Tai Chi and not "Wu" Tai Chi?
Tai Chi Health Benefits. https://www.classicaltaichi.com/tai-chi-health-benefits.html According to my teacher, Grand Master Young Wabu, he heard his teacher, the legendary master Wu Chian Chuan, say that Wu did not change the Yang Tai Chi learned from the Yang's. Wu Chian Chuan emphatically said, "It can not be changed."
The knowledge cycle of learning classical Tai Chi to understand its eventual consequences is very long. To learn the Tai Chi form takes several years to become proficient. To test the effectiveness of what has been learned in actual martial arts application takes another few years. Confirming the health implications, especially during older age, requires a human generation. Here, we have classical Tai Chi with numerous components meticulously optimized to satisfy both the requirements of martial arts application and health benefits. It must be a multi-generation effort. When Wu Chian Chuan taught my teacher, Tai Chi was already in such an advanced state. One can fully appreciate his statement, "It can not be changed."
Thanks for posting this. The thought that comes to mind when I re-read this is what generations were there. There was a generation that preceded them as well. The implications of what Taijiquan could do healthwise as well as martial art, certainly had that human generation before them for fruition. So, being well established and already noted for its benefits gives credence to the statement. "It cannot be changed" as Wu Jianquan said to Yang Wabiu.
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