Neuromuscular Re-education

 

Walking is “Premier” 

(”Classical Tai Chi Walking Exercise”, a Master Stephen Hwa video)

In Classical Tai Chi (specifically the Small Frame/Small Circle Wu Style), "Internal Discipline" serves as a bridge to connect with the long-neglected nervous system of the torso. 

Most people operate using a "top-down" approach, relying entirely on the motor cortex to move external extremities, such as the arms and shoulders. Because we rarely isolate or consciously control the deep, intrinsic muscles of our abdomen, back, and spine, the neural pathways to these regions remain largely dormant or "neglected". 

Classical Tai Chi methodology awakens this part of the central nervous system through a highly structured neuromuscular re-education process. 

1. Intense Inward Focus and Neuromuscular Control 

To initiate a true internal movement, a beginner cannot rely on habit. They must focus their mind intensely inward to find and activate hidden muscle groups. For example, instead of pushing a hand forward using the shoulder and arm (an external movement), Classical Tai Chi dictates that the arm and shoulder remain relaxed and completely stationary relative to each other. The entire upper quarter of the body is instead pushed forward by pressing the abdominal muscles back and engaging the deep back muscles. This demanding neuromuscular coordination forces the brain to build entirely new neural pathways to the torso.

2. The Yin-Yang Junction Exercise

According to Stephen Hwa, every true internal movement relies on a physical counterpart of opposite nature: a moving part (Yang) working against a stationary part (Yin) that provides the structural support. 

• The Torso as the Anchor: The biological junction where Yin and Yang meet is always located within the torso (the waist or the upper-quarter body).
• Neural Feedback Loop: By keeping one part of the torso completely still while another micro-moves, the practitioner registers an intense, localized sensation of stretching and energy circulation. This precise mechanical tension sends a clear, powerful stream of sensory feedback up the spinal canal to the brain, mapping out areas of the body that were previously "numb" to our awareness. 

3. Micro-Movements of the Spine and Vertebrae

In many standard Tai Chi practices, the torso moves as one rigid block. Master Hwa's training teaches isolated movements along individual vertebrae, such as "folding" the spine, in which one side of the spine folds inward while the other remains anchored. Operating at this level of physical detail requires and develops an incredibly fine-tuned degree of motor-nerve control over the axial skeleton and paraspinal muscles.

4. Shifting from a "Pushing" to a "Pulling" Walking Model 

The nervous system of the lower torso is heavily impacted by how we walk. Standard walking relies on "pushing" our body mass forward, which often jams the lower joints, tightens the fascia, and irritates nerves (like the sciatic nerve).

• Classical Tai Chi Walk forces the body to stay straight and step out without shifting weight forward yet.
• Once the foot touches the ground, the practitioner uses the deep core and abdominal muscles to pull the pelvis and body weight forward.
• This pulling action decompresses the spine, opens up dense tissue, and relieves chronic nerve compression in the lower back and torso.

5. Transitioning to Subconscious Mastery

It takes time, but "bottom-up" practice becomes habitual. You had to slow down your mental concentration to reach complete reliance on the subconscious. At this stage, the practitioner no longer has to "think" about moving from their core; the nervous system automatically commands the torso to initiate every movement, leaving the mind entirely clear to enjoy the fluid sensation of internal energy.

Classical Wu Style corrections

Classical Wu Style Tai Chi: corrections to "Fist under elbow, Repulse Monkey (19 and 20)..." and "Closing Tai Chi (108)"

Video link:  Classical Wu Style corrections...  (opens in a new window)


A 2011 Workshop by Stephen Hwa, student of Grandmaster Young Wabu, student of Great Grandmaster Wu Chien Chuan. The subject is on the Classical Wu Style Tai Chi  corrections to the forms of individual students.A good resource for this can be found in the DVD series available at: http://www.classicaltaichi.com .

Student: (regarding postures 19 and 20)  "From there to the square form on that, how far does the hand go up?"
"Is that correct on the square form?"  "Yes"  "But on the round form?"  "I'm sensing that this is...as I am coming back that my arms just follow this"   "Right"  "I don't how far to...(raise the right hand)   The hand has to be raised to face height "face position".

Master Hwa:  "I did not see you do the round form too many times because last few times you just started out"

Student:  (regarding posture 108) "On the last lesson I had trouble with turning around and this movement of the arms and hands"

Master Hwa:  "That part was correct, good" "The ending point, there is an extension here, then you go over and feet are parallel"

Student: "Is there a turn of the foot here where it goes straight?"  "Yes, you turn the foot parallel which is the starting position"

Master Hwa:  "So this move gives a you a practice of what THIS move is"  "I don't think there is any other place that one sees this move"  "You are doing it with feet parallel?"....  "This you do not really exert a lot of power because you are using the tip of the fingers, so any body position you can do this".  "This is not like push, where you better have the right structure, or the fist where you better have the right structure"  "Well the push would be of longer duration?"..."Yes, and you would need force, so I do this and his body is not going to move, you just do this"  "You are not going to need a lot of power, you just have to get the right direction and do it toward soft tissue.  If you do it with power you will break your fingers"  "So that is one place that you practice that"..."So that kind of move is coupled with a positional move of the foot and a stretch, it gives you more potential for any kind of angle?"..."Right".  "So the other hand and side  does not move very much". "So, you have to practice the other side and then in this case it would be the left hand and foot"

Posture 19 – Fist Under Elbow 
As the weight transfers to the left leg, the head turns to look at 
the right hand, the hooked hand opens, palm down and moves to 
low-position 
• 
Right side turns left 90 degree on right heel, aligning both 
thumbs on the center-line of the body, one at face-position and 
the other at low-position 
• 
Left side turns left 90 degrees on left heel 
• 
Right side turns left 90 degrees, right foot moves to the right 
and behind the left foot (Bow Stance), while right hand rises to 
become parallel with the left hand 
• 
Palms rotate to face each other as hands form hollow fists. Left 
fist sits above the right fist 
• 
Weight transfers to right leg as right fist moves under left 
elbow (Left empty step) 
• 
Left fist opens with palm facing up 
• 
Left toes push to the ground 
• 
Weight transfers to left leg causing the upper body to turn 
naturally right. 
• 
Upper body rotates left to face forward 

Posture 20 - Repulse Monkey Left and Right  
Left palm rotates clockwise to face right 
• 
Weight transfers to right leg as right fist opens and moves 
parallel to the left palm, palm facing left 
• 
Right elbow lowers bringing right palm to mid-position 
• 
Right palm rotates to face down as right forearm brings right 
palm to lower left hip 
• 
Left hip lifts left foot 
• 
Left foot moves backward, left palm rotates to the front and 
body movement moves right palm over right knee 

Posture 108 – Closing T’ai Chi 
Both palms rotate to face down, as the arms extend to the sides 
at shoulder level, the right foot turns counterclockwise 45 
degrees on the ball 
• 
The weight is transferred to the right leg 
• 
Arms close to shoulder width as the left foot is drawn right and 
parallel to the left foot at shoulder width 
• 
The body straightens as both arms pull back to a 90 degree bend, 
palms facing front 
• 
The palms & forearms are drawn forward & down to the mid-
position, as if pulled by the wrists 
• 
Pause slightly 
• 
The arms are lowered to the sides with the palms facing down, 
fingers pointing front 
• 
Wrists relax and fingers point down 

It is impossible to "turn" the hips

A letter from a "Wu Style practitioner":

"I have two of Master Hwa's DVDs and I find his concepts fascinating. I am a practitioner of Wu Style TCC (disciple of the Wu Family). However, we have been taught that all of the movements are generated by the "hips" first, not the "waist". I still do not understand why Master Hwa thinks that the hips should remain less mobile than the waist. The hips are the fulcrum of the body and connect the upper with the lower."

I have never understood how people can say things like "all of the movements are generated by the hips first, not the waist", "turn your hips", "push him harder so that he can turn his hips", etc.  I heard those refrains for years in studying large frame Wu Style and years before I started Classical (Wu Style) Tai Chi. The hips are a large and complex joint of the body and like any joint are necessary for movement.  They are necessary for movement but not sufficient in and of themselves to power or “generate” movement however.  In other words they do not move in and of themselves but move as a result  of action  initiated by other parts of the body.  Stating that they are "the fulcrum of the body and connect the upper with the lower" still is not a sufficient explanation of what powers or “generates” their movement.  A crowbar is a lever that can be used by itself or with  a fulcrum that is properly positioned but without a source of power “generation” it is just a metal bar and the fulcrum sits unused.

 Another thing I do not understand is how people are so blase' to  the idea that  "turn your hip" violates the Classical  rule "hand follows the foot, elbow follows the knee" and how this is perpetuated through generations.  The worst picture is turning the hip with the back foot stationary and pointing 90 degrees.  This  drags the practitioners energy backward. One only has to look at a golfer's stance where the legs stand at right angles to the direction of the golf stroke.  Tiger Woods perhaps is a sad example, didn't he most recently have knee surgery?  Look at his much admired stance, didn't the damage come at the knees?  There is tremendous torque and twist at a golfer's knees as in Tai Chi when the rules are broken. 

This classical  rule about "hand follows the foot..." is obvious in the Tai Chi form but since lots of practitioners give the form such short shrift perhaps this rule does not occur to them when they do applications or free style fighting.  I would also surmise they do not care that they cannot incorporate internal discipline into their fighting either, much less their form. On the other hand, perhaps they simply do not know or never took the time to learn the rule.  When is this rule applied? It is to be applied when the act of turning the hip would violate the rule pure and simple will create a "torque" or "powerful twist" in the knees and ankles.  One can see a grimly humorous aspect to this, where the opponent simply waits for you  to injure yourself, what work do they have to do at that point?  See how health and martial should correlate here?  There is much more power when the rule is followed however.  Also, we can just turn at the waist without turning the hip. I fail to see where there is more power from turning the hip with feet in a static position.  I fail to see how this will not eventually end up hurting the practitioner, even though they crow, " I got him down to the floor", your knees and ankles will pay the price.

The generation of movement for our hips comes either from our legs or from our waist and not from the hips themselves.  The generation of hip movement from the waist also comes with its own set of problems as does the movement of the hips from the legs.   See the attached video for examples of what happens when practitioners turn the waist and the hips at the same time.  In large frame Tai Chi the movement of the legs to turn the hip is called "folding the hip or kua".  A leg pushing the body either forward or backward makes one hip rotate into itself and the other rotate out of itself...hence the inguinal "fold' so coveted by large frame practitioners. As far as "Power" is concerned, one will reduce or drain off power when turning the "hip first" (which as we said is really an oxymoron and impossible because it does not generate its own movement).  

Keep the hip still , turn the waist and then try another experiment where you turn the hip "first" (impossible but you can turn the waist to turn the hip) and you can readily see the difference in the "generation" of power.  What exactly is the mechanism that is used to move in and of itself when one is urged to  "turn your hip"?  There is no such self perpetuating mechanism in the hips wherein one can "generate movement". Your hips "permit", "allow", "tolerate", "provide for" movement, but they do not "generate" movement.  

In Large frame it is true the hips can be rotated forcefully once the legs push the body and they reach the apex of a weight shift. As we have stated previously, however it is also true that power is drained off once the rotation is completed. Classical (wu style) Tai chi uses a compact frame which does this by pulling. In contrast to pushing, all pulling moves are internal and stay energized.  Energy is not lost but constantly recirculated and not dependent on legs for power. In talking about "fulcrums" it is of prime importance as to how one locates or places a working fulcrum. As you can see in the video the turning of hips lowers the yin/yang junction (fulcrum) to area of knees.  One can readily see several practitioners of what I call "external" style Tai Chi, turning their bodies at the hips, lowering the junction to the area of the knees in the mistaken impression that "generating movement by the hips first and not the waist" can be used to "turn the body".

My teacher Stephen Hwa said this about the "fulcrum" (yin-yang junction): "The most important instruction on Internal Discipline passed down from Wu Chien Chuan to my teacher Young Wabu is that":  "Every movement in Tai Chi Form has to have two complementary parts of the body, a moving part (called Yang) and a stationary part (called Yin).  When the yin-yang junction is located in the torso of the body, it is an internal move.  When it is outside the torso, it is an external move".

I include Youtube links to  2 videos below that were excerpted from a  seminar at Rochester World Tai Chi Day.  In the videos, Master Hwa explains it all by demonstrating and then teaching a group of students.  He uses what is called a "Turning" move with internal discipline to demonstrate.

What is a Yin-Yang Junction?

How to find Yin-Yang Junction, how to do turning, what is internal energy?

The video emphasizes the danger of not following the "rule" and "turning the hips".  One can see several practitioners who could really hurt themselves eventually.  Certainly when one is young, you can bounce back from this but as one gets older the danger of incorrect practice only intensifies. Normally, one would expect that it would only be people not trained in Classical Tai Chi who would turn at the hip and carry the torso with it, while the legs have a twisting motion.  However, he recognizes several people who participated in a last years seminar in which he demonstrated this very thing. In fact, I was filming the seminar and I recognized them as well.  In one case, the practitioner is turning his hips so much the legs are not only twisting...they are dancing, with the feet moving all over the floor.  You can see this almost immediately and it is so very obvious.