Showing posts with label mobility of joints. Show all posts
Showing posts with label mobility of joints. Show all posts

Monday, July 13, 2026

Enough Pain to Quit

 

Classical Tai Chi - YouTube                                                     



Square Form

an instruction video

 

Welcome!

 

Subject: 

 Why the Square Form Practice is the Ultimate Shield Against Knee Pain (Chondromalacia Patellae, which is what I suffered and was diagnosed with after doing “other tai chi” for only 1 1/2 years, in, ahem, 19_ _.)


Hi everyone,
Ever wonder why Classical Tai Chi Square Form is so meticulous, distinct, and block-like? It isn't just an educational blueprint—it is a highly scientific shield for your joints, specifically designed to prevent chondromalacia of the patella (runner's knee).

Chondromalacia of the patella, as a Sports Medicine M.D. told me, is caused by the kneecap tracking out of alignment, grinding against the cartilage, softening it, and creating pain. Pain enough to want to quit all Tai Chi. This usually happens due to two errors: knee buckling (inward twisting) and over-extension.

Quite honestly, Master Stephen Hwa is the only teacher out of 5 over the “other tai chi” first 25 years to now in the second 23 to give empathy and explicit attention to how, why, and what my stance is doing. Sadly informative, but he visited me and visited the “other”.  In a conversation, he confirmed what I had painfully learned. No one corrected beginners when it was obvious their derrières were sticking out all over the place. A setup for knee injury!

Here is exactly how the Square Form fixes this:

No Simultaneous Twisting and Loading:
In the Square Form, we never turn the hips while transitioning weight across a bent knee. Weight shifts and rotations are strictly separated. The knee stays safely locked in its "hinge" plane.


Flawless Tracking:
Because every step has a clear beginning, middle, and end, we can consciously verify that the kneecap's center is pointing precisely toward the toes. This balanced tracking stops cartilage wear dead in its tracks.

Offloading Joint Pressure to the Core:
By cultivating internal discipline and using quarter-body mechanics, we learn to move from our core and hips rather than relying on our knees as brakes or levers.

Let's keep paying close attention to the stillness, that “pause” between  transitions this week. It is exactly where your knees are being protected and rebuilt!

Happy training,

Jim

Monday, July 6, 2026

Better with Fingers




Is Classical Tai Chi walking the best example of a starting point for neuromuscular re-education?


Classical Tai Chi walking is an excellent foundational example for neuromuscular re-education. It directly trains the central nervous system to abandon habitual, momentum-driven movements in favor of deliberate, hip-driven weight shifts that connect the limbs to the core abdominal and back muscles.


Core Neuromuscular Principles in Classical Tai Chi

  • Core-Driven Movement: Instead of using the leg muscles to push the body forward—which can cause tension and spinal misalignment—the technique uses the abdominal and lower back muscles to pull the body forward as the legs step gently.
  • Weight Independence: It teaches the central nervous system to keep the body weight settled on the back leg until the front foot is flat on the ground. Only then is the weight smoothly transferred.
  • Proprioception and Balance: By moving extremely slowly, you train your brain to continuously monitor your body's position in space. This improves single-leg stability and spatial awareness.
  • Muscle tension and Joint Health: This pulling mechanism stops muscles and joints from jamming together. It promotes myofascial decompression, making it highly effective for relieving nerve pain (such as sciatica) caused by poor daily walking habits.


Is it the Best Starting Point?

It is one of the most effective examples, but whether it is the "best" depends on your baseline mobility.

  • The Pros: The style emphasizes the torso's internal principles rather than the limbs alone. This ensures that the entire kinetic chain—from the feet up to the spine—is engaged.
  • The Caveats: Yes, the training relies on internal discipline, but some beginners and those recovering from injury may find it challenging.


Practitioner Perspectives

Practitioners note that this method involves delaying weight transfer until the foot is fully grounded and using the core to pull the body forward. This approach has been shown to relieve chronic issues such as sciatica by opening tissue, much like a bowstring is drawn.

Anyone recovering from injury may find classical tai chi walking challenging. For these individuals, a simpler, slightly higher-stance approach with a finger on a wall for support is recommended.


The finger is not a crutch.


Using a wall for support is an excellent way to modify Classical Tai Chi walking, especially when recovering from an injury or building foundational stability. Rather than a crutch, a single fingertip serves as a proprioceptive anchor—sending subtle feedback to your brain that helps your nervous system feel secure and maintain balance.


How to Practice with Wall Support

  • Keep it High: Stand with your feet hip-width apart, keeping your knees slightly bent but higher (more upright) than in a classical low stance.
  • Rule: Place only the pad of one finger against the wall. Do not lean your weight into the arm or press heavily.
  • Prioritize Mechanics: With your stability anchor in place, you can safely focus on slow, deliberate weight transfers (shifting from empty to full feet).
  • Heel-to-Toe: Step forward gently, placing the heel down first before rolling the foot flat.


Additional ways to use the index finger on the wall for walking 


In Classical Tai Chi, the index finger serves as a critical feedback tool to connect the upper and lower body. When walking along a wall, use the index finger to check alignment, transmit internal power to the extremities, and cultivate a continuous internal pathway.


Additional ways to utilize your index finger on the wall include:

  • Serratus Anterior Activation: Serratus anterior activation targets the "boxer's muscle" to stabilize the scapula, improve overhead mobility, and prevent shoulder impingement. Press your index finger lightly into the wall while keeping your shoulder relaxed. Focus on separating your shoulder blades and rib cage, creating an opening in the back to establish a structural connection between your arm and your core.
  • Testing Structural Integrity: Instead of pushing off the wall for momentum, press the index finger to verify that your force travels all the way down into your legs. If your elbow or shoulder is tense, the connection breaks. Use your finger to ensure your weight is properly sunk and guided by the waist.
  • Finger-Wall Pivoting: With the index finger touching the wall, practice turning your waist. The finger provides a stationary focal point, forcing your internal energy to rotate naturally through the fascia and connective tissue, rather than muscling the turn.
  • Sensing the Jing (Internal Energy): Lightly trace a line (horizontal or vertical) with the index finger to coordinate your step. This movement trains you to move the entire body as a single unit—with the movement originating from your core and expressed through your fingers, without independent arm movement.


Tuesday, May 12, 2026

If Annoyed you are Forcing it

 



How to do Internal Video

The process of learning and development in  Classical Tai Chi is one of being wrong a lot, with corrections you don't immediately understand. Being annoyed is natural, but it also hinders progress.


That is a spot-on assessment of Stephen Hwa’s approach. In his "Classical Tai Chi" (which emphasizes the internal movements of the Small Circle), the learning curve is notoriously steep because it demands a total rewire of how you move your body.

Here is why that "being wrong" phase is so persistent—and how to handle the frustration:


1. The "Internal" vs. "External" Conflict

Most people start by moving their limbs. In Hwa’s lineage (from Young Wabu), the movement must start from the core (the "Dan Tian" and lower back) and radiate out to the limbs. When you get a correction like "don't move your arm," it feels nonsensical because your arm clearly just moved. What the instructor really means is "don't move your arm using your shoulder muscles; move it because your torso rotated."Understanding that distinction takes time for the nervous system to process.


2. The Micro-Correction Trap

Because Classical Tai Chi focuses on "internal squareness" and precise frame alignment, a correction might be about a half-inch shift in your hip or a slight tuck of the tailbone. When you’re told you’re "wrong" for the tenth time on the same move, it’s because you're likely using compensatory movements—muscles jumping in to help. After all, the core isn't strong or coordinated enough yet. [1]


3. Why Annoyance Hinders You

  • Physical Tension: Frustration triggers the "fight or flight" response, which tightens the very muscles (shoulders, neck, thighs) that you are trying to relax (Song). You cannot feel internal mechanics through a wall of tense muscle.
  • Mental Narrowing: When annoyed, we tend to focus on the result (getting the move right) rather than the process (feeling the connection).


A Better Mindset

Instead of viewing corrections as "being wrong," see them as "data points for your nervous system."

  • Accept the Lag: There is always a delay between hearing a correction and your brain actually being able to "find" the muscle required to fix it.
  • The "Slow is Fast" Rule: Stephen Hwa often emphasizes slow, deliberate practice. If you find yourself getting annoyed, it’s usually a sign you are trying to "force" the Tai Chi. Back off the intensity, breathe, and let the correction sit in the back of your mind rather than trying to conquer it instantly.

It’s essentially a process of unlearning old habits, which is always more frustrating than learning new ones. 

Wednesday, March 1, 2023

All New Students...Welcome to the Internal Dynamics of Tai Chi

 

 

Ms. E. Marie Koepsell wrote the following article which appeared in Tai Chi Magazine some time ago but I think it speaks volumes about what new students can look forward to in their study. We are also grateful to Rick Matz at Cook Ding's Kitchen for publishing this on a previous occasion. Rick mentions his current training with the Classical Tai Chi DVD's in one of his most recent Blog's...he talks about his training in basic walking using such "Internal Dynamics" (Internal Discipline). Master Stephen Hwa has taken on the difficult but rewarding work that his teacher Young Wabu learned from Wu Chien Chuan. He teaches Classical Tai Chi to hundreds of students worldwide via sets of his great DVD series www.classicaltaichi.com. Teaching primarily at Faust's USA Karate in Rochester, NY, he now teaches in Florida and has certified teachers of Classical Tai Chi in Acton, California, Buffalo, NY, Rochester, California, Colorado and Massachusetts. He is Master Stephen Hwa to his many students since he is truly deserving of the title. 

"The following article is based on the lectures and my studies and discussions with him" (E. Marie Koepsell speaking about Stephen Hwa, Ph.D. when he was teaching Tai Chi at the University of Buffalo). "The internal physical discipline of T'ai Chi Ch'uan" according to Dr. Hwa, "involves the intensive training of the body and mind to develop discipline in movements so that the movements originate from the abdomen (dantien) and back, in addition. the energy flow of these movements are developed in a relaxed body, giving an appearance of effortlessness". As a reference point for correct movement. Dr. Hwa used the example of the movement of children, who use much more of their torso for initiating action. He said when children are using their arms or legs, the motion originates from the torso, the strongest part of the body. He said the arms and legs should he treated as appendages that must be taught to move in coordination with and under the direction of the torso. "As we start aging,” according to Dr. Hwa "less and less of our movements come from the waist and back. We hold our middle stiffly, and more of our movements originate from the shoulders and the hip joints. This puts pressure on joints and we lose strength and mobility. Ultimately, we may stop using these area, of our bodies altogether, Atrophy sets in, creating the major problems of aging.”  

Learning the Internal Dynamics of Tai Chi

Introduction

Although I had studied Tai Chi Ch'uan for a number of years with a few different instructors. I had reached the point where I felt that I could he getting more out of my practice- I did not know what was missing. but I was determined to find out more about the art of T'ai C'hi.

In my quest to understand the art, I attended lectures at the University of Buffalo. which led me to a new realm of understanding. The lecturer, Dr. Stephen Hwa, a retired chemical engineer originally from Wuxi, China. who has been in the (US for 60 years. For 35 years, he was a student of Wabu Young, a student of Wu Chian Chuan

The following article is based on the lectures and my studies and discussions with him.

"The internal physical discipline of T'ai Chi Ch'uan" according to Dr. Hwa, 'involves the intensive training of the body and mind to develop discipline in movements so that the movements originate from the abdomen (dantien) and back, in addition. the energy flow of these movements is developed in a relaxed body, giving an appearance of effortlessness:'


As a reference point for correct movement. Dr. Hwa used the example of the movement of children, who use much more of their torso for initiating action. He said when children are using their arms or legs. the motion originates from the torso. the strongest part of the body. He said the arms and legs should he treated as appendages that must be taught to move in coordination with and under the direction of the torso.


"As we start aging," according to Dr. Hwa "less and less of our movements come from the waist and back. We hold our middle stiffly, and more of our movements originate from the shoulders and the hip joints. This puts pressure on joints and we lose strength and mobility. Ultimately, we may stop using these area, of our bodies altogether. Atrophy sets in, creating the major problems of aging."


He demonstrates this by having students raise their arms to shoulder height and push forward He noted that most people lift and push from the shoulder joint and arm muscle. and there is little strength involved. He demonstrated the way he pushes, using his back and abdominal muscles with the shoulder and arm completely relaxed.  Similarly, When he moved his arm, across his head, his back and abdomen did the work.


Dr. Hwa similarly feels that T'ai Chi steps should involve the muscles of the torso, the large abdominal and pelvic girdle muscles, to lift and push the leg forward and back. He said the leg muscles are used to move the body forward and backward. but the muscles of the torso do the work of lifting and positioning the leg, and planting the foot. The weight shifts after the leading foot is planted solidly on the ground, whether it is going forward or backward.


Turning movements of the body, according to Dr. Hua. are done with the feet stationary and the body swivelling at the waist.  He said it should not be a twisting motion where the hips or legs turn the body. but rather an abdominal movement. When he demonstrates the movement,  his lower and upper abdominal muscles appear to rotate in opposite directions, thus indicating all the power that this movement generates at the waist:


"The unifying principle of the internal physical aspect of T'ai Chi is that all movement and physical energy originate at the waist and back. Those are the strongest parts of the body and its center of gravity as well." Dr. Hwa said.

In discussing the fundamental concept of Yin and Yang. Dr. Hwa said: "In the context of the internal physical aspect. Yang could represent movement while Yin represents the stable structure of the body, against which the movement occurs.”

"Think of a moving door as Yang and the door frame as Yin. The hinge is the junction of Yin and Yang. To achieve internal motion, the primary Junction is always in the torso. It is at these junctions that one senses stretching and the flow of energy. This sensation is called the qi (ch'i)."


"The first goal for the T'ai Chi practitiioner is to have the qi circulate continuously throughout the body, following the Yin/Yang changes of the movements. To achieve the Yin -Yang balance of the body and mind It is essential that these movements of intense energy and stretching be performed in an otherwise relaxed body and mind.”


"The practitioner must not only be aware of the Yin/Yang of individual movements, but also the total Yin/Yang of the body as one goes from movement to movement," Dr. Hwa said.


Learning T'ai Chi, he feels, is more than learning to move smoothly.


"People often admire the smooth-flowing movements of T'ai Chi and that motivates them to start lessons. But one cannot really learn T'ai Chi by just imitating the smooth-flowing movements. One has to start with an isolated movement to learn the Yin and Yang of that movement and then thread the movements together to achieve the effect of continuous motion. The difficulties lie in the first part of that exercise. Once one learns the Yin -Yang, the rest is easier."


In fact, Dr. Hwa said he learned  T'ai Chi as a "square form" first, breaking down the postures into individual, simple moves, preceding and ending each movement with a full stop. When he demonstrates the "square form," it looks discrete, precise and mechanical, completely opposite from the familiar flowing "round form" T' ai Chi movements. The purpose of learning the square form, he explains, is to tame the body, establishing communication and command so that each part of the body can follow a command to move cleanly and effortlessly. This is a foundation for learning internal discipline in the "round form." He also feels that the "square form" provides a template for the "round form" by pinpointing extreme positions of the form movements. It is also very effective flexibility training, loosening many of the key joints essential to the form.


Many students, however, will only learn the "round form." Even with the "round form," he dissects the movements into basic elements for teaching. Many times, he says, a seemingly continuous move is in fact a combination of several distinct moves, merging into each other so that each distinct move becomes almost imperceptible. And yet each has its purpose. The concept of yi, the Chinese word for intention, is also very important in T'ai Chi, Dr. Hwa said.


"It is yi that ties the movements together and provides a purpose and soul to them. Yi is developed based on the knowledge of the form movement, the internal physical and mental discipline and the martial arts origin of T' ai Chi. To integrate this knowledge into a cohesive, singular yi is an essential element in the practice of the T' ai Chi form. The processes of developing the yi and mastering the T' ai Chi form are intertwined. Sometimes the practitioner grasps the essence of yi before one can actually put it into practice. In this case, the yi guides the development of form practice. Sometimes it is the repetition and focus of the form practice that cultivates the yi.


"For the advanced T'ai Chi practitioner, the form itself becomes less expansive externally (so-called "small circle" or "compact form"), and more angular. As such, yi takes on increasing importance in playing the form. There is less movement and more yi. Also, to have smaller external movements and yet reach to all angles in the form requires greater internal movement, more stretching at the Yin- Yang junctions, and more internal energy flow. This is the next level in T' ai Chi."


Dr. Hwa describes the beginning of the T' ai Chi learning process as a highly conscious exercise in which one struggles to move this way and that way and must use the entire mind. But yi is fragmented.


"Gradually, yi becomes more unified, and the movement becomes more fluid. One begins to be able to enjoy some of the qi flow in the body. Eventually, yi and the movements become entirely subconscious. The practitioner is now in a semi-meditative state with only the qi circulating through the body, providing very enjoyable feedback to the practitioner. To achieve this level takes several years of work. But from every step of the journey, very significant benefits will be derived," he said.


I have taken only a few steps on the path of learning, but I am amazed by the richness of the art. My prior T'ai Chi exposure was enveloped in a philosophical and abstract context. But now I see that T'ai Chi can be explained in scientific, concrete terms and it is no longer such a mystery to me. I have developed even more respect and admiration for the art. Unquestionably, the internal physical discipline, with its power to bring out the inherent potential in a person, has been, for me, a most significant discovery.

 E. Marie Koespsell

 

Sink the derrière, don't lean

      Hello everyone,  Here’s some information on really getting your Tai Chi posture right. Master Stephen Hwa explained it, and it totally...