Saturday, September 23, 2023

IMPORTANCE OF MARTIAL ARTS INTENT TO INTERNAL ENERGY AND QI FLOW


IMPORTANCE OF MARTIAL ARTS INTENT TO INTERNAL ENERGY AND QI FLOW VIDEO 


太极拳 ( Taijiquan / Tàijíquán ) is composed of these characters: 太 (tai), 极 (ji), 拳 (quan) and translates to English as "Tai Chi". The "Chi" in the Han pinyin is pronounced "gee" and is not the same as (气 the "vital energy" QI FLOW that Master Hwa talks about here). The difference in pronunciation between "ji" and "Qi" is the position of the tongue on the palate. One might say that in the West "Tai Chi" is pronounced incorrectly and is not "chee" like Cheese but is more like "gee".

When one learns "Tai Chi", that learning must be good for the purposes of health and martial art. So there is much to be learned about practicing Tai Chi with Martial Intent or 意 "Yi"

"Importance of Playing Tai Chi Form With Martial Arts Intent to Internal Energy & Qi Flow"

I find it fascinating that Classical Tai Chi (Taijiquan) was once so highly regarded as not only the most capable but also the most polished martial art of its time. The royal families of China were undoubtedly protected by individuals who were extremely proficient in the art. When the sun set on the need for personal martial skills the door opened so that the general populace could be taught.

One does not hear the use of the word "Quan" along with Tai Chi in most classes today, however, I always heard it used in my study of Wu's Style at Wu's Academy in Toronto, Canada. A statement might be: "It is time to do our chuan" (Wade Giles) which would precede the group playing the form as a whole. I wonder if the term is still used because I see a store full of so-called "competitive" and "shortened" versions being touted.

However, with the teaching of the world as it were, the degradation and demise of the art thus began. What we have nowadays as a supposed "legacy" is in the majority of cases merely a shallow and insipid caricature. I am not impressed whatsoever by even the most "athletic" performances as competition routines, to say nothing of so-called "new age" Tai Chi.





Thursday, September 14, 2023

Importance of the "Back Foot"

Importance of the "Back Foot" 

 

A Review of Tai Chi walking 

 

Body Forward Lean (import of back foot during push hands)
 

Along with several other requirements a proper forward lean posture requires the back foot to be firmly on the ground. Let's emphasize the import of "Tai Chi Walk" in order to do good "Push Hands": 

 

When one demonstrates Tai Chi Form to students, their attention will always be attracted to the upper body movements first and neglect the "foot work". The back foot's heel is to be firmly on the ground and creates problems when it is not. The head, the body and the back leg form a straight line in the lean forward. Under this structure, you will feel a strong stretch from the top of the head down to the Achilles' tendon and heel of the back foot. The stretch of the back foot counter balances the leaning forward ability of the body, thus allowing one to lean forward even more. 

 

While doing Tai Chi walk, the upper body is kept relaxed with two hands hanging limp on the side of the body. This is the first lesson on how to keep clear a differential between the energized and the relaxed parts of the body working side by side. Even in such simple case, many students have trouble
keeping the upper body relaxed in the beginning. This exercise teaches the proper body posture, feet positions, body weight distribution, and unique walking dynamics. In addition, it is a very effective exercise, tuning every aspect of the lower body including the lower back.

 

The three main characteristics of this
exercise are:
I. using core power for leg movements, such as
lifting and stretching the leg
2. keeping the body's center of gravity under
control, not allowing the body to fall forward as
in the common walking motion
3. pulling the body forward or backward not pushing
by the leg.

 

The last move involves primarily the use of the power of the core (described as contracting abdominal muscle inward) together with the pull of the lead foot to move the body. A longtime student, Bill, describes the sensation of this move as if the body is being sucked forward or backward. This is the crucial step for converting the walking motion into an entirely internal movement.
 

Normally, during walking, one uses the back foot to push when walking forward and the front foot to push when walking backward. The pushing motion by the leg muscle is entirely external and it also engages both feet stuck to the ground until the body completes its move. In other words, it is a double weighted move. In the case of pulling forward instead of pushing forward, the back foot has no responsibility for pushing. It is free to be lifted and moved thereby improving the mobility of the
person.

 

 The same is true for the backward walk. This is one of the advantages from a martial arts application viewpoint. Certainly during applications, there are situations favoring "push" or situations favoring "pull". For example, when an opponent is coming at you, you want to adhere (stick) to him and sit back to neutralize the incoming force. You certainly do not want to add to his incoming force by pushing your body back with the front foot. Instead, you want to use the back foot and core to control the pull back and at the same time plant the front foot's heel on the ground to absorb some of the incoming force by pulling on the body. "Push" is a natural move and It is further developed and strengthened in the Large Frame Form. On the other hand, "pull" with the core is a learned technique for almost everyone I know and is only developed in the Compact Frame Form.

 

 



Friday, September 8, 2023

Sticking to the opponent in "Fa Jing"

Sticking to the opponent in "Fa Jing"




If one wants to get better at Tai Chi, it requires sensitivity to opponents' movement, the ability to ting jin, stick to the opponent, and intelligence under pressure. I see no reason why any of that cannot be maintained into old age. Even Western Boxing's clinch (before it became the disgraceful stalling tactic it is now) could be said to have once relied on some semblance of sensitivity. Even with that, the bout between Mike Tyson and Larry Holmes went to grappling and trapping range 10 times in the first three minutes...once every 18 seconds. This means "practicing push hands and sparring to develop sensitivity and finesse" with a variety of opponents.

How can anyone expect to develop sticking from just practicing the form?   I see no place where Master Hwa promises a "flowering" of self defense ability. Additionally, no one ever promised folks "Pie in the Sky" in Classical Tai Chi and on the contrary the limitations of what we do have been spelled out even more than I got at Wu's Tai Chi Academy.  Learning to stick to opponent in close quarters   This step requires a willing and trusted partner and ones own willing participation. How to learn to spar with Tai Chi, particularly  if one can find an other style martial art partner , particularly one who is physically stronger then they will find the guy will just ram down your centerline and smash you out of the way. . Then you have  to stick with his smashing, not run away.

 

As one gets older, they are no longer going to be the fastest or strongest so they have to rely on feeling out the opponent.  If one can't beat with speed then you  have to stick.  This does not mean you are not going to get hit.  In his fight with a Hard Style opponent, Wu Gong Yi was limited by rules not to stick, if he could, then I think things would be much different and perhaps not "called a draw". 

 

It is indicative of modern-day Tai Chi where mistakes are made,  if no one is there to correct, it ends up being good exercise but it is definitely not Tai Chi. Classical Tai Chi has to be good for both health AND martial purposes. The martial teaches one to "stick" by first touching then following the opponent's movements. In many Internet pictures of “Tai Chi” practitioners are not being corrected when arm , legs go in wrong directions (which muddles your senses and one can infer they are training to follow only themselves, not an opponent) is indicative of modern Tai Chi.  A good example of sticking shown in the video of Master Hwa is that in certain instances Tai Chi trains one to vigorously follow the opponent.

Friday, September 1, 2023

JAMA ON CLASSICAL TAI CHI

Tao of Martial Applications




The Journal of Asian Martial Arts (JAMA) was a quarterly magazine published by Via Media Publishing Company that covered various aspects of martial arts from Asia  but also included material from other parts of the world. The magazine had its headquarters in Santa Fe  It ceased publication in 2012, ending with a final book entitled "Asian Martial Arts".


Before the streamlined Teachable courses, Master Stephen Hwa with assistance from Jim Roach, Tom Kostusiak and Ike Schultz made a series of DVD. One of the DVD was called "The Tao of Martial Applications". Attached is a DVD review by the now defunct Journal of Asian Martial Arts.


ꜱᴛᴇᴘʜᴇɴ ʜᴡᴀ (ʙ. 1933)ʙᴇɢᴀɴ ᴛᴀɪᴊɪ ꜱᴛᴜᴅɪᴇꜱ ᴜɴᴅᴇʀ ʏᴏᴜɴɢ ᴡᴀʙᴜ (1904-2005), ᴀ ꜱᴛᴜᴅᴇɴᴛ ᴏꜰ ʟᴇɢᴇɴᴅᴀʀʏ ᴍᴀꜱᴛᴇʀ ᴡᴜ ᴊɪᴀɴQᴜᴀɴ(1880-1942). ꜰᴏʀ ᴍᴀɴʏ ʏᴇᴀʀꜱ,ᴛʜɪꜱ ᴡᴜ ꜱᴛʏʟᴇ ʜᴀᴅ ʙᴇᴇɴ ᴛʜᴇ ꜱᴇᴄᴏɴᴅ ᴍᴏꜱᴛ ᴘᴏᴘᴜʟᴀʀ ᴛᴀɪᴊɪ ꜱᴛʏʟᴇ, ꜰᴏʟʟᴏᴡɪɴɢ ᴛʜᴇ ʏᴀɴɢ ꜱᴛʏʟᴇ. ᴠᴏʟᴜᴍᴇꜱ ɪ ᴀɴᴅ ɪɪ ɪɴ ᴅʀ. ʜᴡᴀ'ꜱ ᴅᴠᴅ ꜱᴇʀɪᴇꜱ ᴘʀᴏᴠɪᴅᴇ ᴀ ɢᴏᴏᴅ ᴏᴠᴇʀᴠɪᴇᴡ ᴏꜰ ᴛʜᴇ ᴡᴜ ꜱᴛʏʟᴇ ᴀɴᴅ ɪɴꜱᴛʀᴜᴄᴛɪᴏɴ ɪɴ ᴛʜᴇ ᴄʟᴀꜱꜱɪᴄᴀʟ ʟᴏɴɢ ꜰᴏʀᴍ. ᴠᴏʟᴜᴍᴇ ɪɪɪ, ᴛʜᴇ ᴛᴀᴏ ᴏꜰ ᴍᴀʀᴛɪᴀʟ ᴀʀᴛꜱ ᴀᴘᴘʟɪᴄᴀᴛɪᴏɴꜱ, ɪꜱ ᴏʀɢᴀɴɪᴢᴇᴅ ɪɴᴛᴏ ꜰᴏᴜʀ ꜱᴇᴄᴛɪᴏɴꜱ: 1)ɪɴᴛʀᴏᴅᴜᴄᴛɪᴏɴ, 2) ꜰᴀ ]ɪɴɢ (ꜰᴏʀᴄᴇ ʀᴇʟᴇᴀꜱɪɴɢ) ᴍᴏᴠᴇꜱ ᴀɴᴅ ᴛʜɪʀᴛᴇᴇɴ ᴘᴏꜱᴛᴜʀᴇꜱ, 3) ᴘᴜꜱʜ ʜᴀɴᴅꜱ, ᴀɴᴅ 4)ɢʀᴏᴜᴘ ᴅɪꜱᴄᴜꜱꜱɪᴏɴ.


ᴅʀ. ʜᴡᴀ,ᴀꜱꜱɪꜱᴛᴇᴅ ʙʏ ᴛʜʀᴇᴇ ꜱᴛᴜᴅᴇɴᴛꜱ, ʟᴇᴄᴛᴜʀᴇꜱ ᴀɴᴅ ᴅᴇᴍᴏɴꜱᴛʀᴀᴛᴇꜱ . ɪᴛ ɪꜱ ꜱᴀɪᴅ ᴛʜᴀᴛ ᴛʜᴇ ᴄᴏʀᴇ ᴏꜰ ᴛᴀɪᴊɪ ɪꜱ ꜰᴏᴜɴᴅ ɪɴ ᴛʜᴇ "ᴛʜɪʀᴛᴇᴇɴ ᴘᴏꜱᴛᴜʀᴇꜱ," ᴏʀ ʙᴀꜱɪᴄ ꜱᴋɪʟʟꜱ: ᴡᴀʀᴅ ᴏꜰꜰ, ᴘᴜʟʟ ʙᴀᴄᴋ, ᴘʀᴇꜱꜱ, ᴘᴜꜱʜ, ᴘᴜʟʟ ᴅᴏᴡɴ, ꜱᴘʟɪᴛ, ᴇʟʙᴏᴡ, ᴀɴᴅ ꜱʜᴏᴜʟᴅᴇʀ, ᴀᴅᴠᴀɴᴄᴇ, ʀᴇᴛʀᴇᴀᴛ, ɢᴜᴀʀᴅ ʟᴇꜰᴛ, ᴀɴᴅ ʀɪɢʜᴛ, ᴄᴇɴᴛʀᴀʟ ᴇQᴜɪʟɪʙʀɪᴜᴍ. ʀᴀᴛʜᴇʀ ᴛʜᴀɴ ꜱʜᴏᴡɪɴɢ ᴀᴘᴘʟɪᴄᴀᴛɪᴏɴꜱ ꜰᴏʀ ᴇᴀᴄʜ ꜱᴋɪʟʟ. ᴅʀ. ʜᴡᴀ ꜰᴏᴄᴜꜱᴇꜱ ᴏɴ ᴛʜᴇ ᴛʜᴇᴏʀʏ ᴛʜᴀᴛ ᴍᴀᴋᴇꜱ ᴛʜᴇ ᴀᴘᴘʟɪᴄᴀᴛɪᴏɴꜱ ᴡᴏʀᴋ. ʟɪᴋᴇᴡɪꜱᴇ, ʏᴏᴜ ᴡɪʟʟ ɴᴏᴛ ꜰɪɴᴅ ᴍᴀɴʏ ᴅᴇᴛᴀɪʟꜱ ɪɴ ᴛʜᴇ ᴘᴜꜱʜ ʜᴀɴᴅꜱ ꜱᴇᴄᴛɪᴏɴ ᴅᴇꜱᴄʀɪʙɪɴɢ ᴍᴏᴠᴇᴍᴇɴᴛꜱ ɪɴ ᴅᴇᴛᴀɪʟ. ꜱɪɴɢʟᴇ-ʜᴀɴᴅᴇᴅ ᴀɴᴅ ᴛᴡᴏ-ʜᴀɴᴅᴇᴅ ᴘᴜꜱʜ ʜᴀɴᴅ ᴘʀᴀᴄᴛɪᴄᴇ ᴀʀᴇ ᴅᴇᴍᴏɴꜱᴛʀᴀᴛᴇᴅ, ʙᴜᴛ ᴛʜᴇꜱᴇ ᴛᴏᴏ ᴀʀᴇ ᴘʀᴇꜱᴇɴᴛᴇᴅ ᴍᴀɪɴʟʏ ᴛᴏ ɪʟʟᴜꜱᴛʀᴀᴛᴇ ʜᴏᴡ ᴛᴀɪᴊɪ ᴘʀɪɴᴄɪᴘʟᴇꜱ ᴡᴏʀᴋ. ᴅʀ. ʜᴡᴀ ꜱᴛᴀᴛᴇꜱ ɪɴ ᴛʜᴇ ɪɴᴛʀᴏᴅᴜᴄᴛɪᴏɴ ᴛʜᴀᴛ ᴛʜᴇ ᴘᴜʀᴘᴏꜱᴇ ᴏꜰ ᴛʜɪꜱ ᴅᴠᴅ ɪꜱ ᴛᴏ ꜱʜᴏᴡ ᴛʜᴇ ʀᴇʟᴀᴛɪᴏɴꜱʜɪᴘ ʙᴇᴛᴡᴇᴇɴ ᴛʜᴇ ᴛʀᴀᴅɪᴛɪᴏɴᴀʟ ʀᴏᴜᴛɪɴᴇ ᴘʀᴀᴄᴛɪᴄᴇ ᴀɴᴅ ᴍᴀʀᴛɪᴀʟ ᴀᴘᴘʟɪᴄᴀᴛɪᴏɴꜱ. ʜᴏᴡ ᴅᴏᴇꜱ ᴘʀᴀᴄᴛɪᴄɪɴɢ ᴛʜᴇ 108-ᴍᴏᴠᴇᴍᴇɴᴛ ʟᴏɴɢ ꜰᴏʀᴍ ɪɴꜰʟᴜᴇɴᴄᴇ ᴏɴᴇ'ꜱ ᴀʙɪʟɪᴛʏ ᴛᴏ ᴘᴇʀꜰᴏʀᴍ ᴀᴘᴘʟɪᴄᴀᴛɪᴏɴꜱ? ᴅʀ. ʜᴡᴀ ʙᴇʟɪᴇᴠᴇꜱ ᴛʜᴀᴛ ʀᴇɢᴜʟᴀʀ ᴅᴀɪʟʏ ᴘʀᴀᴄᴛɪᴄᴇ ᴛᴇᴀᴄʜᴇꜱ ᴛʜᴇ ʙᴏᴅʏ ʜᴏᴡ ᴛᴏ ᴍᴏᴠᴇ ᴘʀᴏᴘᴇʀʟʏ. ᴘʀᴀᴄᴛɪᴛɪᴏɴᴇʀꜱ ᴇᴠᴇɴᴛᴜᴀʟʟʏ ᴄᴀɴ ɴᴀᴛᴜʀᴀʟʟʏ ᴀɴᴅ ꜱᴘᴏɴᴛᴀɴᴇᴏᴜꜱʟʏ ᴍᴀɴɪꜰᴇꜱᴛ ᴍᴀʀᴛɪᴀʟꜱᴋɪʟʟꜱ. ɪɴᴛᴇᴍᴀʟ (ᴄᴏᴍʙɪɴᴇᴅ ᴘꜱʏᴄʜᴏ-ᴘʜʏꜱɪᴏʟᴏɢɪᴄᴀʟ) ᴅɪꜱᴄɪᴘʟɪɴᴇ ɪꜱ ᴘʀᴇꜱᴇɴᴛᴇᴅ ᴀꜱ ᴛʜᴇ ᴋᴇʏ ᴛᴏ ꜱᴏʟᴏ ꜰᴏʀᴍ ᴘʀᴀᴄᴛɪᴄᴇ ᴀꜱ ᴡᴇʟʟ ᴀꜱ ꜰᴏʀ ᴘʀᴀᴄᴛɪᴄᴀʟ ᴀᴘᴘʟɪᴄᴀᴛɪᴏɴ. ᴇᴏʀ ᴛʜɪꜱ. ᴅʀ. ʜᴡᴀ ᴇᴍᴘʜᴀꜱɪᴢᴇꜱ ᴛʜᴇ ᴛᴀɪᴊɪ ᴘʀɪɴᴄɪᴘʟᴇꜱ ᴏꜰ ʀᴇʟᴀxᴀᴛɪᴏɴ ᴀɴᴅ ᴡʜᴏʟᴇ ʙᴏᴅʏ ᴍᴏᴠᴇᴍᴇɴᴛ. ʜᴇ ꜱᴀʏꜱ ɴᴏᴛ ᴛᴏ ʀᴇꜱɪꜱᴛ ᴀɴ ᴏᴘᴘᴏɴᴇɴᴛ ɪɴ ᴘᴜꜱʜ ʜᴀɴᴅꜱ ᴘʀᴀᴄᴛɪᴄᴇ ꜱᴏ ʏᴏᴜ ᴄᴀɴ ꜰʟᴏᴡ ɪɴᴛᴏ ᴀ ᴄᴏᴜɴᴛᴇʀ-ᴀᴛᴛᴀᴄᴋ. ʜᴇ ᴅɪꜱᴛɪɴɢᴜɪꜱʜᴇꜱ ʙᴇᴛᴡᴇᴇɴ ᴄᴏᴏᴘᴇʀᴀᴛɪᴠᴇ ᴀɴᴅ ᴄᴏᴍᴘᴇᴛɪᴛɪᴠᴇ ᴘᴜꜱʜ ʜᴀɴᴅꜱ, ꜱᴀʏɪɴɢ ᴛʜᴀᴛ ʙᴇɪɴɢ ᴄᴏᴏᴘᴇʀᴀᴛɪᴠᴇ ɪɴ ᴛʜᴇ ᴘʀᴀᴄᴛɪᴄᴇ ʜᴇʟᴘꜱ ᴏɴᴇ ʟᴇᴀʀɴ ᴛᴏ ᴇᴍʙᴏᴅʏ ᴛʜᴇ ᴛᴀɪᴊɪ ᴘʀɪɴᴄɪᴘʟᴇꜱ. ᴅᴏɪɴɢ ᴄᴏᴍᴘᴇᴛɪᴛɪᴠᴇ ᴘᴜꜱʜ ʜᴀɴᴅꜱ ᴛᴏᴏ ᴇᴀʀʟʏ ᴜꜱᴜᴀʟʟʏ ꜱɪᴍɪᴘʟʏ ʀᴇꜱᴜʟᴛꜱ ɪɴ ᴜꜱɪɴɢ ᴛᴏᴏ ᴍᴜᴄʜ ᴇxᴛᴇᴍᴀʟ ꜰᴏʀᴄᴇ. ᴛʜᴇ ʟᴀꜱᴛ ꜱᴇᴄᴛɪᴏɴ ᴏɴ ᴛʜᴇ ᴅᴠᴅ ɪꜱ ᴀ ɢʀᴏᴜᴘ ᴅɪꜱᴄᴜꜱꜱɪᴏɴ ʙᴇᴛᴡᴇᴇɴ ᴅʀ. ʜᴡᴀ ᴀɴᴅ ʜɪꜱ ᴛʜʀᴇᴇ ꜱᴛᴜᴅᴇɴᴛꜱ. ᴛʜᴇʏ ᴅɪꜱᴄᴜꜱꜱ ꜱᴏᴍᴇ ᴏꜰ ᴛʜᴇ ʟᴏɴɢ ᴅᴇʙᴀᴛᴇᴅ ᴛᴏᴘɪᴄꜱ ᴀᴍᴏɴɢ ᴛᴀɪᴊɪ ᴇɴᴛʜᴜꜱɪᴀꜱᴛꜱ, ɪɴᴄᴜᴅɪɴɢ ʟᴇᴀɴɪɴɢ ᴠᴇʀꜱᴜꜱ ᴋᴇᴇᴘɪɴɢ ᴛʜᴇ ʙᴏᴅʏ ᴘᴇʀᴘᴇɴᴅɪᴄᴜʟᴀʀ ᴛᴏ ᴛʜᴇ ɢʀᴏᴜɴᴅ, ᴘʀᴏᴘᴇʀ ꜰᴏᴏᴛ ᴘᴏꜱɪᴛɪᴏɴꜱ (ᴘᴀʀᴀʟʟᴇʟ ᴏʀ ᴡɪᴛʜ ᴛʜᴇ ʙᴀᴄᴋ ꜰᴏᴏᴛ ᴛᴜᴍᴇᴅ ᴏᴜᴛᴡᴀʀᴅ), ᴀɴᴅ ʜᴏᴡ ᴍᴜᴄʜ ᴡᴇɪɢʜᴛ ꜱʜᴏᴜʟᴅ ʙᴇ ᴘʟᴀᴄᴇᴅ ᴏɴ ᴇᴀᴄʜ ꜰᴏᴏᴛ. ᴅʀ. ʜᴡᴀ ʟᴏᴏᴋꜱ ᴅᴇᴇᴘʟʏ ɪɴᴛᴏ ᴛʜᴇ ᴡᴜ ꜱᴛʏʟᴇ ʀᴏᴜᴛɪɴᴇ ʜᴇ ʟᴇᴀʀɴᴇᴅ ꜰʀᴏᴍ ʏᴏᴜɴɢ ᴡᴀʙᴜ ᴀɴᴅ ʙᴇʟɪᴇᴠᴇꜱ ɪᴛ ᴡᴀꜱ ᴅᴇꜱɪɢɴᴇᴅ ᴛᴏ ɢɪᴠᴇ ᴘʀᴀᴄᴛɪᴛɪᴏɴᴇʀꜱ ᴛʜᴇ ᴀɴꜱᴡᴇʀꜱ ᴛᴏ ꜱᴜᴄʜ Qᴜᴇꜱᴛɪᴏɴꜱ. ᴛʜɪꜱ ꜱɪᴍᴘʟᴇ ᴅᴠᴅ ᴇɴᴄᴏᴜʀᴀɢᴇꜱ ᴜꜱ ᴛᴏ ᴘʀᴀᴄᴛɪᴄᴇ ᴀɴᴅ ᴋᴇᴇᴘ ᴛᴀɪᴊɪ ᴘʀɪɴᴄɪᴘʟᴇꜱ ɪɴ ᴍɪɴᴅ.


ᴊᴏᴜᴍᴀʟ ᴏꜰ ᴀꜱɪᴀɴ ᴍᴀʀᴛɪᴀʟ ᴀʀᴛꜱ 0 ᴠᴏʟᴜᴍᴇ 17 ɴᴜᴍʙᴇʀ 2 - 200815